Technology Is Killing Creativity

Technology is not putting to death creativity. If it was, then Les Pauls figure of the electric guitar, Bob Moogs instauration of the synthesizer, Kusek et al. s invention of MIDI, Pro Tools spotter as well as both effects pedal or electronic harmony enhancing piece of gear would commence to be part of this destructive force. Thoughts wish this are fun to debate notwithstanding tot each(prenominal)y unproductive. The real issue to be discussed for which a solution must be found is how can those who produce heavy(p) music be found, heard above all in all the clutter and find an audition large profuse to sustain a career financially.How music bequeath be discovered in the future will determine whether next generation major(ip) artists will ever be unquestion adequate again or whether the fragmentation of the music space only allows for creation of a large middle class of artists attempt to survive. Todays battle for husking of gravid music is no contrary than it was over the past 60 long time for innovative genres like Rock and Roll, R&B and Hip Hop. The innovators dilemma applied to those artists and entrepreneurs fomenting these musical revolutions.It all comes down to how the tools available at the time, two music and billet, were employed by the innovators to do a force vast enough to break through and through the akin sign of early technology adoption problems we bring forth today. The world was a lot simpler in those age and today those trying to break through are faced with a much more challenging and complicated spate of circumstances BUT the exact same problem. From the 50s through the 80s, the record business could develop great artists out of the trunks of their cars. one and only(a) operate and focused person could make it all happen.Channels of distribution were easily controlled by those who knew how to utilize them. The press, radio and TV allowed large marketing and advance machines to be strengthened that could b reak an artist over night. In the early days at that place was no one way to get it done. It took 25 years for a successful biscuit cutter business model to be developed but there were unceasingly interlopers that could come in at any time and change the game. Unfortunately, the world in which great music must be found and nurtured is so fragmented and overwhelm to almost everyone thats in it.We seaportt figured it out yet. One thing is very clear to me pitiful forward no band or artist will be able to do it alone. Collaboration, give out teamwork, and a better meld of technology with creativity, marketing and promotion are essential if success is to be found in the future. Outside the cut thinking, new tools need to be time-tested for success and the new music business needs to evolve a frame that makes the fragmentation more manageable and controllable to easier focus our attention on the great music that is really out there and the artists who play it.